Made in the years before The Weather Project stunned the art world, these early works already carry Eliasson’s signature voice—precise, reverent, quietly radical. The Cibachrome process, with its saturated colors and uncanny luminosity, transforms the images into something more than photographs. They become a question: What is real? What is remembered? What will remain?

These works belong to a foundational moment when photography became Eliasson’s philosophical tool.