Fred Tomaselli works with precision in a world that often rewards distraction. To create his collage-based works, the artist draws from a vast archive of imagery, field guides, nature books, and printed ephemera, meticulously assembling them into rhythmic figures and geometric formations.

This work resonates as a psychological landscape. Alongside the botanical surrealism of Hiejin Yoo, the spiritual density of Allison Janae Hamilton, or the luminous disquiet of Damien Hirst’s butterfly fields, Tomaselli suggests that nature is never neutral. It is a medium of transformation, projection, and sometimes escape. His resin-coated surface becomes a membrane between interior vision and external reality—a fitting portal for a show about thresholds, impermanence, and rebirth.