CarMeat Moist Heat (2024) is at once brutal and precise: a slab-like form, suspended like butchered flesh, crafted from automotive scrap. Rogers paints, punctures, and reconstructs the car hood into a suspended sculpture that references both the body and the machine. Mounted with meat hooks and a steel trolley system, the work evokes a processing line—a space where animals become product, where metal becomes commodity.

CarMeat Moist Heat becomes a meditation on ecological collapse, industrial violence, and the uneasy aesthetics of sustainability. The work does not moralize, it implicates. It hangs not as a warning, but as evidence.